What is a Juliet balcony, and why they're not as pitiful as you may think

Mimi headsht
By Mimi OConnor  |
July 17, 2018 - 12:00PM

The "Juliet Balcony" in Verona, a tourist attraction Shakespeare undoubtedly never saw. 


Spend any serious amount of time looking at New York City real estate listings (particularly new development and post-war apartments) and you’ll inevitably come across the term “Juliet balcony.” It has a nice ring to it, with the invocation of Shakespeare’s tragic but romantic heroine, and the suggestion of an outdoor space.

But what, exactly, is a Juliet balcony? (Spoiler alert: There is no exact definition of what qualifies, architecturally, as a Juliet balcony, which gives real estate pros a lot of wiggle room for applying the term. More on that later.)

For a baseline, the Cambridge Dictionary defines one as "a structure like a very narrow balcony with vertical metal bars, fitted to the outside of a building in front of an upstairs full-length window in two parts that can be opened like doors." 

It’s sometimes referred to as a “balconet," which in our opinion, manages expectations a little better. defines that as “False balcony, or railing at the outer plane of a window-opening reaching to the floor, and having, when the window is open, the appearance of a balcony. Common in France, Spain, and Italy.” (Note: While Shakespeare was possibly inspired by the small balconies in and around Verona, the “Juliet Balcony," a popular tourist attraction in the Italian city, is most certainly not it, given that it was added to its 13th century building hundreds of years later.)

And, from registered architect Russell Goss, CEO of Blueberry Builders (who does not claim to be the last word on the subject): “My understanding is a Juliet balcony isn’t actually a balcony. It’s simply a railing against inward-swinging French doors at the exterior of a building.”


A condo building at 556 State Street in Boerum Hill includes Juliet balconies. 

Small balconies, big feelings

People have strong opinions about Juliet balconies, both pro and con.

There’s no dispute that a Juliet balcony is smaller than a “full” balcony, but there does not seem to be agreement over how big (or small) one is—aside from the case when there simply is no platform whatsoever extending from the building. Then it’s definitely a Juliet balcony.

I used to have Juliet balcony issues, due, I now see, to my lack of education about and understanding of them, as well as inconsistencies in their execution.

I used to look up at new buildings and see these “tiny balconies” maybe a couple feet deep, tacked on, as I perceived them, as a lame excuse for an outdoor space (and a tacky grab for money). Making matters worse, if a balcony was just big enough, residents would attempt to squeeze the most miniscule of chairs out there, maybe a table, to “live the dream” of an apartment with outdoor space in the big city. (I’m not judging, I would likely do the same thing; I just found it disheartening.)

Another depressing variation: The Juliet balcony as place to stash a bike, which I realize is nothing to turn one’s nose up at, but still, it bummed me out: A balcony so insultingly small it’s really only good as a place to put the bike.

Now I see that I was thinking about it all wrong. To try to make a Juliet balcony that has some actual depth function as a true outdoor space is to grossly misunderstand it. It is not about getting you outdoors, it’s about bringing the outdoors, or the sense of being outdoors, in.

With its large, floor-to-ceiling doors/windows, the Juliet balcony lets in air and light, sort of turning whatever space it abuts into an oversized, albeit it covered, balcony. Which may, in fact, be preferable to some people, who might object to wind, bugs, etc. And now, I see the appeal. Plus, Juliet balconies do give those with a gardening fantasy the ability to plant some window boxes, which is also a nice perk.) If you're still not sold, check out these variations on the Juliet balcony theme. 


Mimi headsht

Mimi OConnor

Contributing Writer

Mimi O’Connor has written about New York City real estate for publications that include Brick Underground, Refinery29, and Thrillist. She is the recipient of two awards from the National Association of Real Estate Editors for interior design and service journalism. Her writing on New York City, parenting, events, and culture has also appeared in Parents, Red Tricycle, BizBash, and Time Out New York.

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